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Chinese Mythology
Chinese Mythology: An Overview
In the midst of high mountains and plateaus, sandy deserts, dense, bountiful forests, thousands of rivers, and the tallest mountain on Earth, sitting between the border of China and Nepal, Chinese mythology, rich in principle and complexity, developed for a time that can be traced back for thousands of years. First transmitted around 12th century B.C.E, Chinese myths were shared through oral tradition before being written down a few thousand years ago in texts such as Shui Jing Zhu and Shai Hai Jing. Chinese mythology has been largely recorded from what is now known as Greater China. Chinese mythology is a composite of a variety of myths from different regions of China as well as elements of Confucianism, Taoism, Buddhism, and Daoism due to interactions between the various beliefs. From this “merging” of faiths emerged “a rich tapestry of characters and tales, both real and imagined, and a unique pantheon organized very much like ancient Chinese society” (“Chinese Mythology”). In other words, Chinese mythology, history, and fact were often intertwined, resulting in prominent historical figures being worshiped as gods and certain myths considered “historical truths” (“Chinese Mythology”). Furthermore, some of the beliefs of Confucianism, Taoism, Buddhism, and Daoism were often integrated into early Chinese mythology and vice versa. The most notable example is seen through the connection of the Taoist “spiritual paradise” to Chinese mythology (“Chinese Mythology”). In all, Chinese mythology, encompassing a variety of ancient folktales, deities, legends, heroes, is largely tied to ancient Chinese culture, society, philosophy and ideals of ancestry, morality, and nature (“Chinese Mythology”).
Mythology and Dynasty
Although China’s historical roots can only be traced back 4,000 years, its mythological roots go back much further into Chinese history, starting with the Xia dynasty. Occupying the northern extent of China from about 2000 to 1500 b.c.e., the Xia were known to worship a snake deity, known as Nuwa, who was considered the ancestor of the Xia. Over time, the conception of Nuwa changed, turning the deity into multiple dragons, who remained prominent figures of the mythology and, in general, Chinese culture. The dragons were considered to be the ancestors of the numerous emperors and symbolized good luck ("Chinese Mythology").
With the end of the Xia dynasty due to the rise of an ignorant, prodigal emperor, Emperor Jie, and a subsequent overthrow by Tang of Shang, the Shang dynasty assumed power and ruled from 1500 to 1066 b.c (Mark, "Xia Dynasty"). Throughout the Shang dynasty, the most important deity, also known as Shangti, a being regarded as the supreme deity and ancestor of the people, was worshiped along with natural entities, such as celestial objects, such the sun, moon and earth, and natural forces, such as rain and clouds. Although the Shang dynasty was toppled in 1050 BCE by Zhou conquers, Shangti remained a prominent deity in the Chinese pantheon. Furthermore, throughout the Zhou dynasty, who came to power after the fall of the Shang dynasty, significant changes took place in Chinese culture and mythology as, “people still worshiped the old gods, but ancestor worship became increasingly important” (“Chinese Mythology”). In addition to the importance of ancestry being elevated, Confucianism and Taoism were also introduced and mixed into pre-existing Chinese myths, expanding and altering Chinese culture ("Chinese Mythology").
Over a period of time, almost a few hundred years, the Zhou dynasty ruled. Through a war between provinces of China and the dynasty, however, the Qin dynasty came to power, having detrimental impacts on Chinese mythology (Mark, "Zhou Dynasty"). During Emperor Shi Huangdi’s rule, around 213 b.c., he “ordered the burning of all books on subjects other than medicine, prophecy, and farming” (“Chinese Mythology”). Although the literature was recovered when the emperor’s order was reversed in 191 b.c., the material was “rewritten to support ideas popular with the royal court at the time, including that of a hierarchy in government” (“Chinese Mythology”). As a result, Chinese culture and beliefs were permanently altered as an altered pantheon of deities, demonstrating the ideals of the Chinese empire, represented Chinese myths. Furthermore, much like Confucianism and Taoism influenced Chinese mythology, culture, and society, Buddhism, originating from India, had the same effect on these Chinese elements. Arriving before a.d 100, Buddhism created a composite belief between Taoism and Confucianism with the three faiths regarded as parts of the same religion by the Chinese people. For example, the “Buddhists and Taoists honored each other's deities in their temples, and both incorporated principles of Confucianism, such as ancestor worship, in their beliefs” (“Chinese Mythology”). In other words, the three faiths, largely connected by similar ideals, were interwoven into each other not only by the followers but also the Chinese people. Additionally, Daoism, originating in the eastern Chinese province of Henan around 6th century BCE, had a profound impact on Chinese culture (Ames et al.).
Chinese Gods: An Overview
Chinese Mythology is centered around a variety of complex and character rich deities that are closely tied to prominent Chinese ideals. Due to an intertwining of history and myth, important figures of China were worshiped as gods. For example, heroes, such as Sun Wukong, from the novel Journey to the West, written by Wu Cheng’en, were viewed as gods ("Journey to the West"). Due to this “categorization” or criteria for worship, “there were over 200 gods and goddesses worshipped throughout ancient China, but if one were to count every deity or spirit, the number would be over 1,000” (Mark,"Most Popular Gods"). In addition, most towns, cities, and villages had a deity that was worshiped, regarded as the Tudi Gong. Still, regarding creation stories and understanding which deities were most important, only a handful were widely recognized, such as during the reigns of the various dynasties. Furthermore, the gods, believed to have created the world and its inhabitants and possessing unique powers and methods of influence pertaining to the everyday life of the Chinese, had statues and temples built in their honor. Similar to the Greek, Olympian Gods of Greek Mythology, residing atop Mount Olympus, the Chinese “deities lived in palaces and castles high above human beings in places like the Kunlun Mountains, Mount Tai, the Jade Mountain, and Mount Penglai” (Mark, "Most Popular Gods"). In addition, the importance of nature in Chinese myths is stressed through the legends of these mountains and the deities that were believed to reside there (“Chinese Mythology”).
Pan Gu
In Chinese mythology, Pan Gu is considered to be a primordial and creation being responsible for the creation of the Earth and Humans. Pan Gu, according to Chinese Mythology, existed at the beginning of time when the universe “consisted only of dark chaos, in the form of a cosmic egg” (“Pan Gu”). Pan Gu, lying asleep within the egg, one day awoke and caused the egg to split as a result of his stretching. As Pan Gu emerged from the egg “pure parts of the egg became the sky, while the heavy parts formed the earth,” and “this separation of the earth and sky marked the beginning of yin and yang, the two opposing forces of the universe” (“Pan Gu”). As the first living creature, Pan Gu is credited with, after his death of exhaustion, forming the landscape of the earth, including all life. Pan Gu’s creation story was written down almost two millennia years ago, although the story was orally told even before that. Furthermore, Pan Gu was “usually portrayed in Chinese art as a little person clothed in a bearskin or leaves, holding a hammer and chisel or the cosmic egg of creation” and “sometimes he is shown working with his tools to create the world, accompanied by four supernatural creatures: a unicorn, tortoise, phoenix, and dragon” (“Pan Gu”). An important figure in Taoist, Buddhist, Daoist, and, in general, Chinese culture, Pan Gu offers a common understanding of how everything was created (“Chinese Mythology”).

Pan Gu
Shangti
In Chinese Mythology, Shangti, also known as Shangdi, the Jade Emperor, the Yellow Emperor, and Yu Huang Shang-Ti, was considered the deity of China who was largely tied to victory in battle, harvest, the weather, law, order, justice, and creation. Although known as the Jade Emperor by some, the name can reference an entirely different deity. Shangti, considered the greatest ancestor of China, “gave the people culture, architecture, skill in battle, agriculture, controlled the weather, regulated the seasons, and was king over the other gods, human beings, and nature” (Mark, "Most Popular Gods"). Shangti was primarily worshipped during the reign of the Shang Dynasty, becoming a lesser known deity during the Zhou Dynasty, but re-emerging during the Warring States Period (Mark, "Most Popular Gods"). Shangti is largely tied to nature, which was given importance by the Chinese; the most sacred mountain of China, T’ai Shan, was where Shangti was believed to preside (“Chinese Mythology”).

Shangti
Yinglong
In Chinese mythology, the dragon, Yinglong , also known as the Dragon King, Hong Shen and the god of rain, water and the sea, was seen as a rain giver. In one interpretation of Yinglong, the deity was depicted “as a wise man with the full sun behind his head watching over a boat full of people” (Mark, "Most Popular Gods"). In addition, Yinglong was often depicted as a winged dragon. In Chinese culture, the dragon was an important symbol, appearing on “pottery found at the Neolithic site of Banpo Village dating from between c. 4500-3750 BCE” (Mark, "Most Popular Gods"). Representing important ideals of ancestry and good fortune, dragons were often affiliated with important deities, such as Yinglong. Furthermore, Yinglong was primarily prayed to and worshipped by sailors and fisherman hoping for the calm waters and desperate farmers hoping for rain or for a drought to end. Yinglong, an important figure in Chinese Mythology, provided the Chinese solace and hope regarding drought and frequently turbulent seas (Mark, "Most Popular Gods").


Ying Long


INCA MYTHOLOGY
In the midst of high mountains and plateaus, sandy deserts, dense, bountiful forests, thousands of rivers, and the tallest mountain on Earth, sitting between the border of China and Nepal, a Chinese mythology, rich in principle and complexity, developed for a time that can be traced back for thousands of years...


CHINESE MYTHOLOGY
In the midst of high mountains and plateaus, sandy deserts, dense, bountiful forests, thousands of rivers, and the tallest mountain on Earth, sitting between the border of China and Nepal, a Chinese mythology, rich in principle and complexity, developed for a time that can be traced back for thousands of years...
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